The article below by William Kremer first appeared in the BBC News Magazine article “Why did men stop wearing high heels?” on 25 January 2013. Excepting two pictures, all other pictures/images are different from those featured in the the original BBC News Magazine report.
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For generations they have signified femininity and glamour – but a pair of high heels was once an essential accessory for men.
Beautiful, provocative, sexy – high heels may be all these things and more, but even their most ardent fans wouldn’t claim they were practical.
They’re no good for hiking or driving. They get stuck in things. Women in heels are advised to stay off the grass – and also ice, cobbled streets and posh floors.
And high heels don’t tend to be very comfortable. It is almost as though they just weren’t designed for walking in.
Originally, they weren’t.
“The high heel was worn for centuries throughout the near east as a form of riding footwear,” says Elizabeth Semmelhack of the Bata Shoe Museum in Toronto.
Good horsemanship was essential to the fighting styles of Persia – the historical name for modern-day Iran.
A Safavid mailed lancer (Source Iranian Army reconstruction, 1971)…for more Click here…
“When the soldier stood up in his stirrups, the heel helped him to secure his stance so that he could shoot his bow and arrow more effectively,” says Semmelhack.
At the end of the 16th Century, Persia’s Shah Abbas I had the largest cavalry in the world. He was keen to forge links with rulers in Western Europe to help him defeat his great enemy, the Ottoman Empire.
A men’s 17th Century Persian shoe, covered in shagreen – horse-hide with pressed mustard seeds (Source: Bata Shoe Museum as shown in BBC News Magazine).
So in 1599, Abbas sent the first Persian diplomatic mission to Europe – it called on the courts of Russia, Germany and Spain.
A wave of interest in all things Persian passed through Western Europe. Persian style shoes were enthusiastically adopted by aristocrats, who sought to give their appearance a virile, masculine edge that, it suddenly seemed, only heeled shoes could supply.
Shah Abbas I (r. 1587-1629) as depicted in a European copper engraving made by Dominicus Custos citing him as“Schach Abas Persarum Rex” or “Shah Abbas the Great monarch of Persia”. Note how Custos makes a particular emphasis on linking Shah Abbas to the “Mnemona Cyrus” (the Memory of Cyrus the Great of Persia). Shah Abbas’ victories over the Ottomans weakened them against the Europeans to the West, and especially in the Balkans and Eastern Europe…For more click here…
As the wearing of heels filtered into the lower ranks of society, the aristocracy responded by dramatically increasing the height of their shoes – and the high heel was born.
In the muddy, rutted streets of 17th Century Europe, these new shoes had no utility value whatsoever – but that was the point.
“One of the best ways that status can be conveyed is through impracticality,” says Semmelhack, adding that the upper classes have always used impractical, uncomfortable and luxurious clothing to announce their privileged status.
“They aren’t in the fields working and they don’t have to walk far.”
When it comes to history’s most notable shoe collectors, the Imelda Marcos of his day was arguably Louis XIV of France. For a great king, he was rather diminutively proportioned at only 5ft 4in (1.63m).
Louis XIV wearing his trademark heels in a 1701 portrait by Hyacinthe Rigaud (Bata Shoe Museum as shown in the BBC News Magazine).
He supplemented his stature by a further 4in (10cm) with heels, often elaborately decorated with depictions of battle scenes.
The heels and soles were always red – the dye was expensive and carried a martial overtone. The fashion soon spread overseas – Charles II of England’s coronation portrait of 1661 features him wearing a pair of enormous red, French style heels – although he was over 6ft (1.85m) to begin with.
Coronation portrait of England’s Charles II (r. 29 May 1660 –6 February 1685) by John Michael Wright made in c. 1661 (Source: Public Domain).
In the 1670s, Louis XIV issued an edict that only members of his court were allowed to wear red heels. In theory, all anyone in French society had to do to check whether someone was in favor with the king was to glance downwards. In practice, unauthorized, imitation heels were available.
Although Europeans were first attracted to heels because the Persian connection gave them a macho air, a craze in women’s fashion for adopting elements of men’s dress meant their use soon spread to women and children. As noted by Semmelhack:
“In the 1630s you had women cutting their hair, adding epaulettes to their outfits…They would smoke pipes, they would wear hats that were very masculine. And this is why women adopted the heel – it was in an effort to masculinise their outfits.”
From that time, Europe’s upper classes followed a unisex shoe fashion until the end of the 17th Century, when things began to change again.
Helen Persson, a curator at the Victoria and Albert Museum in London state:
“You start seeing a change in the heel at this point…Men started to have a squarer, more robust, lower, stacky heel, while women’s heels became more slender, more curvaceous.”
The toes of women’s shoes were often tapered so that when the tips appeared from her skirts, the wearer’s feet appeared to be small and dainty.
Fast forward a few more years and the intellectual movement that came to be known as the Enlightenment brought with it a new respect for the rational and useful and an emphasis on education rather than privilege. Men’s fashion shifted towards more practical clothing. In England, aristocrats began to wear simplified clothes that were linked to their work managing country estates.
It was the beginning of what has been called the Great Male Renunciation, which would see men abandon the wearing of jewellery, bright colours and ostentatious fabrics in favour of a dark, more sober, and homogeneous look. Men’s clothing no longer operated so clearly as a signifier of social class, but while these boundaries were being blurred, the differences between the sexes became more pronounced. Semmelhack avers:
“There begins a discussion about how men, regardless of station, of birth, if educated could become citizens…Women, in contrast, were seen as emotional, sentimental and uneducatable. Female desirability begins to be constructed in terms of irrational fashion and the high heel – once separated from its original function of horseback riding – becomes a primary example of impractical dress.“
High heels were seen as foolish and effeminate. By 1740 men had stopped wearing them altogether.
But it was only 50 years before they disappeared from women’s feet too, falling out of favour after the French Revolution.
By the time the heel came back into fashion, in the mid-19th Century, photography was transforming the way that fashions – and the female self-image – were constructed.
Pornographers were amongst the first to embrace the new technology, taking pictures of naked women for dirty postcards, positioning models in poses that resembled classical nudes, but wearing modern-day high heels.
Semmelhack, author of Heights of Fashion: A History of the Elevated Shoe, believes that this association with pornography led to high heels being seen as an erotic adornment for women.
The 1960s saw a return of low heeled cowboy boots for men and some dandies strutted their stuff in platform shoes in the 1970s.
But the era of men walking around on their toes seems to be behind us. Could we ever return to an era of guys squeezing their big hairy feet into four-inch, shiny, brightly coloured high heels?
“Absolutely,” says Semmelhack. There is no reason, she believes, why the high heel cannot continue to be ascribed new meanings – although we may have to wait for true gender equality first:
“If it becomes a signifier of actual power, then men will be as willing to wear it as women.”
