Iranian Documentary Movie Receives the Région Nouvelle-Aquitaine Creativity Award

The documentary “In the Realm of the Spider-Tailed Viper” was one of 40 films out of 600 documentaries selected by The Wildlife Film Festival held at Rotterdam for two screening times on (October 31 and November 3) 2019.

The producer of the movie “In the realm of the spider-tailed viper” is Dr. Mohammad Ala, winner of  the 2019 World Wildlife Film Award, the 2018 Cinema Vérité Award, the 2018 Panda Award and the 2013 Grand Prix Film Italia Award. The above photo shows Dr Ala at Rotterdam in 2019.

The Festival International Du Film De Menigoute held on November 2, 2019 in the new-Aquitaine region of France bestowed the Région Nouvelle-Aquitaine Creativity Award offered for the documentary “In the Realm of the Spider-Tailed Viper” for best film production.

The movie was chosen for this award as a result of its originality, innovation and creativity.

Certificate of award bestowed for the documentary movie “In the Realm of the Spider-Tailed Viper”

The Award ceremonies were also announced in the prestigious France 3 media outlet. The French Ambassador in Iran tweeted and congratulated the Iranian film makers for winning high prizes in France.

The above photo shows Dr. Ala (second from left receiving  the 2013 Grand Prix Film Italia Award) along with two Italian mayors from Lecce and Bari who attended this event. The festival is known among Italians because it started in 1962.

Spider-tailed viper has become winningest wildlife documentary film produced within Iran by an all-Iranian crew. As noted previously, the documentary movie “In the Realm of the Spider-Tailed Viper” has won numerous awards and citations including:

  • Won Green Oscar (Panda) in England
  • Won World Wildlife Film (WWF) Technical Award in Italy
  • Won the highest Wildlife Awards in France
  • Won the first Audience Award in Tehran, Iran
  • UN recognition as an endangered species
  • Various Certificates and Recognition citations in Germany, Italy, France, Iran, and Holland

A snapshot of the audience just before the commencements of the documentary movie screenings for the Wildlife Film Festival in Rotterdam in 2019.

In 2020, a new documentary film featuring a bird species will be introduced from Iran.

UBC Lecture (November 29, 2019): Civilizational Contacts between Ancient Iran and Europe

Kaveh Farrokh will be providing a comprehensive lecture on November 29, 2019 at the University of British Columbia:

“Civilizational Contacts between Ancient Iran and Europe”

Lecture Time & Location: 29 November 2019 6:30-8:30 pm – Room 120, CK Choi Building – For details view below poster – and also click here …). The lecture is free, however due to limited seating interested participants are encouraged to obtain their (Free) tickets (for details view below poster – and also click here …)

This lecture will be hosted by the Alireza Ahmadian Lectures in Persian and Iranian Studies, Persian Language and Iranian Studies Initiative at UBC (University of British Columbia), UBC Asian Studies, UBC Persian Club and the UBC Zoroastrian Student Association.

Abstract & Overview of Lecture

This lecture provides a synoptic overview of the civilizational relations between Greater ancient Iran and Europa (Greco-Roman civilization as well continental Europe). The discussion is initiated with an examination of the conduits of exchange between Greater ancient Iran (the Achaemenid, Parthian and Sassanian dynasties of Iran as well as the role of Northern Iranian peoples), the Caucasus and Europa. The lecture then provides an overview of learning exchanges between east and west spanning the time era from the Achaemenids into the Post-Sassanian eras, followed by examples of artistic, architectural, and engineering exchanges between Greco-Roman and Iranian civilizations. Select examples of the ancient Iranian legacy influence upon the European continent are also discussed, followed (time permitting) by examples of the musical legacy of ancient Iran as well as Iranian-European exchanges in the culinary domain.

Select References & Readings

Ahmed, A. & Zaman, O. (eds.) (2018). Dialogue Between Cultures & Exchange of Knowledge And Cultural Ideas between Iran, Turkey & Central Asia With Special reference to the Sasanian & Gupta Dynasty, Proceedings of Conference 8-10 February, 2018. Assam, India: Department of Persian Guawahati University.

Akhvledinai & Khimshiasvili, (2003). Impact of the Achaemenian architecture on Iberian kingdom: Fourth-first centuries BC. The First International Conference on the Ancient Cultural Relations Between Iran and Western Asia, Abstracts of Papers, Tehran, Iran, August 16-18, 2003, Tehran: Iran Cultural Fairs Institute.

Angelakis, A.N., Mays, L.W., Koutsoyiannis, D., Mamassis, N. (2012). Evolution of Water Supply through the Millennia. London & New York: IWA Publishing.

Asutay-Effenberger, N. & Daim, F. (eds.) (2019). Sasanidische Spuren in der Byzantinischen, Kaukasischen und Islamischen Kunst und Kultur [Sasanian Elements in Byzantine, Caucasian and Islamic Art and Culture]. Mainz, Germany: Verlag des Römisch-Germanischen Zentralmuseums.

Azarpay, G. (2000). Sasanian art beyond the Persian world. In Mesopotamia and Iran in the Parthian and Sasanian periods: Rejection and Revival c.238 BC-AD 642, Proceedings of a Seminar in memory of Vladimir G. Lukonin (ed. J. Curtis), London: British Museum Press, pp.67-75.

Azkaei, P.S. (1383/2004). حکیم رازی (حکمت طبیعی و نظام فلسفی) [(The) Wise Razi (Natural Wisdom and System of Philosophy)]. Tehran, Iran. Entesharate Tarh-e Now.

Babaev, I., Gagoshidze, I., & Knauß, F. S. (2007). An Achaemenid “Palace” at Qarajamirli (Azerbaijan) Preliminary Report on the Excavations in 2006. Ancient Civilizations from Scythia to Siberia, Volume 13, Numbers 1-2, pp. 31-45.

Beckwith C.I. (2011). Empires of the Silk Road: A History of Central Asia from the Bronze Age to the Present. Princeton University Press.

Canepa, M. P. (2010). Distant displays of power: understanding cross-cultural interaction interaction among the elites of Rome, Sasanian Iran and Sui-Tang China. Ars Orientalis, Vol. 38, Theorizing Cross-Cultural Interaction among the Ancient and Early Medieval Mediterranean, Near East and Asia, pp. 121-154.

Carduso, E.R.F. (2015). Diplomacy and oriental influence in the court of Cordoba (9th to 10th centuries). Dissertation, Department of History of Islamic Mediterranean Societies, University of Lisbon, Portugal.

Compareti, M. (2019). Assimilation and Adaptation of Foreign Elements in Late Sasanian Rock Reliefs at Taq-i Bustan. In Sasanidische Spuren in der Byzantinischen, Kaukasischen und Islamischen Kunst und Kultur [Sasanian Elements in Byzantine, Caucasian and Islamic Art and Culture] (eds. N. Asutay-Effenberger & F. Daim), Mainz, Germany: Verlag des Römisch-Germanischen Zentralmuseums, pp.19-36.

Curatola, G., & Scarcia, G. (Tr. M. Shore, 2007). The Art and Architecture of Persia. New York: Abbeville Press.

During J., Mirabdolbaghi, Z., & Safvat, D. (1991). The Art of Persian Music. Mage Publishers.

Farhat, H. (2004). The Dastgah Concept in Persian Music. Cambridge & New York: Cambridge University Press.

Farrokh, K. (2018). Germania, Vikings, Saxons and Ancient Iran. Persian Heritage, 90, pp.28-30.

Farrokh, K., Karamian, Gh., Kubic, A., & Oshterinani, M.T. (2017). An Examination of Parthian and Sasanian Military Helmets. In “Crowns, hats, turbans and helmets: Headgear in Iranian history volume I” (K. Maksymiuk & Gh. Karamian, Eds.), Siedlce University & Tehran Azad University, pp.121-163.

Farrokh, K. (2016). An Overview of the Artistic, Architectural, Engineering and Culinary exchanges between Ancient Iran and the Greco-Roman World. AGON: Rivista Internazionale di Studi Culturali, Linguistici e Letterari, No.7, pp.64-124.

Farrokh, K. (2009). The Winged Lion of Meskheti: a pre- or post-Islamic Iranian Legacy in Georgia? Scientific Paradigms. Studies in Honour of Professor Natela Vachnadze. St. Andrew the First-Called Georgian University of the Patriarchy of Georgia. Tbilisi, pp. 455-492.

Farrokh, K. (2007). Shadows in the Desert: Ancient Persia at War. Oxford: Osprey Publishing-Персы: Армия великих царей-سایه‌های صحرا/کویر (انتشارات ققنوس ۱۳۹۰ و انتشارات طاق بستان ۱۳۹۰) – see Book review from peer-reviewed Iranshenasi Journal

Feltham, H. (2010). Lions, Silks and Silver: the Influence of Sassanian Persia. Sino-Platonic Papers, 206, pp. 1-51.

Freely, J. (2009). Aladdin’s Lamp: How Greek Science Came to Europe Through the Islamic World. New York: Alfred A. Knopf.

Gagoshidze, Y. M. (1992). The Temples at Dedoplis Mindori. East and West, 42, pp. 27-48.

Garsoïan, N. (1985). Byzantium and the Sassanians. In The Cambridge History of Iran Volume 3: The Seleucid, Parthian and Sasanid Periods, Part 1 (ed. E. Yarshater), Cambridge, England: Cambridge University Press, pp. 568-592.

Gheverghese, J.G. (1991). The Crest of the Peacock: Non-European Roots of Mathematics. London: I.B. Tauris.

Gnoli, G. & Panaino, A. (eds.) (2009). Studies in History of Mathematics, Astronomy and Astrology in Memory of David Pingree – Serie Orientale Roma CII. Rome: Italy: Istituto Italiano per L’Africa e L’Oriente.

Kayser, P., & Waringo, G. (2003). L’aqueduc souterrain des Raschpëtzer: un monument Antique de l’art de l’ingénieur au Luxembourg [The underground aqueduct of Raschpëtzer: an ancient monument of the art of engineering in Luxembourg]. Revue Archéologique de l’Est, vol. 52, pp. 429-444.

Kurz, O. (1985). Cultural relations between Parthia and Rome. In The Cambridge History of Iran Volume 3: The Seleucid, Parthian and Sasanid Periods, Part 1 (ed. E. Yarshater), Cambridge, England: Cambridge University Press, pp. 559-567.

Miller, A.C. (2006). Jundi-Shapur, bimaristans, and the rise of academic medical centres. Journal of the Royal Society of Medicine, 99 (12), pp. 615–617.

Miller, L.C. (1999). Music and Song in Persia (RLE Iran B): The Art of Avaz. Great Britain: Routledge.

Overlaet, B. (2018). Sasanian, Central Asian and Byzantine Iconography – Patterned Silks and Cross-Cultural Exchange. In B. Bühler & V. Freiberger (eds.), Der Goldschatz von Sânnicolau Mare [The Gold Treasure of Sânnicolau Mare]. Regensburg: Schnell & Steiner, pp. 139-152.

Roberts, A.M. (2013). The Crossing Paths of Greek and Persian Knowledge in the 9th-century Arabic ‘Book of Degrees’. Orientalia Christiana Analecta, 293, pp.279-303.

Silva, J.A.M. (2019). The Influence of Gondeshapur Medicine during the Sassanid Dynasty and the Early Islamic Period. Archives of Iranian Medicine, 22 (9), pp. 531-540.

Sparati N. (2002).  L’ enigma delle arti Asittite della Calabria Ultra-Mediterranea [The enigma of the Asittite arts of Calabria Ultra-Mediterranean]. Mammola, Italy: MuSaBa – Santa Barbera Art Foundation & Iiriti Editore.

Ward. P. (1968). The Origin and Spread of Qanats in the Old World. Proceedings of the American Philosophical Society, Vol. 112, No. 3, pp. 170-181.

Wulff, H. (1968). The Qanats of Iran. Scientific American, Vol. 218, No. 4, pp. 94–105.

Select Major Reference Resources in Kaveh Farrokh.com

Select Articles in Kavehfarrokh.com

Newly-found Petroglyph in Western Iran may have link to Mithraism

The article “Newly-found petroglyph in western Iran may have link to Mithraism” was published in Payvand News of Iran on October 1, 2019 (this was first reported in the Tehran Times). The version printed below has been slightly edited and provided with hyperlinks. Kindly note that excepting one photo, all other images and accompanying captions do not appear in the original Payvand News and Tehran Times postings.

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A newly-discovered rock-carving in western Iran could have a link to Mithraism, a prehistorical religion inspired by Iranian worship of the Zoroastrian god Mithra. Some Iranian archaeologists suggest that the carving was created by a follower of Mithraism as it depicts a simple portrayal of a human with his right hand raised and an object in his hand. But, experts say it needs much more study in order to date the petroglyph.

A rock carving in western Iran (Source: Payvand News).

The petroglyph was found in western Kermanshah province on a mountainside near Taq-e Bostan, an archaeological complex, which consists of a series of properties from prehistoric to historical periods such as imposing Sassanid-era bas-reliefs, Morad-Hassel Tepe, an ancient village, a Parthian graveyard and a Sassanid hunting ground.

It was found upstream of a spring, inside a niche measuring about two meters by two meters, carved some 50 centimeters deep into the mountainside, archaeologist Keyvan Moumivand told IRNA on Tuesday.

Meanwhile, a local tourism official has said that various archaeologists and teams of experts must conduct researches on the rock-carving in order to determine its origins and to make a definitive comment on it.

Depiction of Mithras with Persian dress of the (Parthian and Early-Mid Sassanian era type) slaying the sacred bull at the Santa Maria Capua Vetere. 

Some experts say that existence of some Mithraism symbols in parts of the historical zone, including one nearby the bas-relief of Ardashir II, reinforces a possibility that the petroglyph being associated with Mithraism, IRNA reported.

Mithraism, was the worship of Mithra, an Iranian god of the sun, justice, contract, and war in pre-Zoroastrian Iran. Known as Mithras in the Roman Empire during the 2nd and 3rd centuries CE, this deity, according to Britannica Encyclopedia, was honored as the patron of loyalty to the emperor. After the acceptance of Christianity by the emperor Constantine in the early 4th century, Mithraism rapidly declined.

Investiture of Ardashir II (r. 379-383) (center) by the supreme God Ahuramazda (right) with Mithra (left) standing upon a lotus (Ghirshman, 1962 & Herrmann, 1977). Trampled beneath the feet of Ahura-Mazda and Ardashir II is an unidentified defeated enemy (possibly Roman Emperor Julian). Of interest are the emanating “Sun Rays”  from the head of Mithras.  Note the object being held by Mithras, which appears to be a barsum, or perhaps some sort of diadem or even a ceremonial broadsword, as Mithras appears to be engaged in some sort of “knighting” of Ardashir II as he receives the `Farr`(Divine Glory) diadem from Ahura-Mazda (Picture source: Shahyar Mahabadi, 2004).

Taq-e Bostan is known for its bas-reliefs of Sassanian origin (3rd to 7th century CE). The carvings, some of the finest and best-preserved examples of Persian sculpture under the Sassanians, include representations of the investitures of Ardashir II (reigned 379-383 CE) and of Shapur III (383-388), the latter in a man-made cave carved in the form of an iwan (three-sided, barrel-vaulted hall, open at one end).