New Course: Forgotten Gifts of Persia

Kaveh Farrokh, an instructor at the University of British Columbia’s Continuing Studies Division is offering a new course entitled:

The Forgotten Gifts of Persia

Below is the official course description:

Learn about the forgotten contributions of Persia to world civilization in the realm of technology and architecture. Topics include the world’s first movies, the artificial eye, the battery, aqueducts, refrigeration and air-conditioning systems, windmills, pontoon bridges and the world’s first hospital and medical university, as well as examples of the influence of Persian architecture in China, India, Rome, Western Europe, and throughout the Middle East.


[Click to enlarge] An 18th century Persian Astrolabe  housed in Cambridge Museum’s History of Sciences section Picture source:

For details consult The Forgotten Gifts of Persia | UBC Continuing Studies (pdf):

  • Format: In Class
  • Code: UP723 W13 A
  • Start: Weds Mar 13, 2013
  • Schedule: Weds  1pm – 3pm
  • Location: Tapestry at Wesbrook Village (University of British Columbia Point Grey campus)


[Click to Enlarge] (RIGHT) Iranian researcher examining the artificial eye found at Shahr e Sookhteh – further tests are being conducted in Iran to determine the exact chemical composition of the prosthetic (LEFT) A curious feature of the “eye” are parallel lines that have been drawn around the pupil to form a diamond shape …READ MORE

There is also a determined drive from the Asian Studies department of the University of British Columbia to establish a full-time Iranian Studies program.

Professor Harjot S. Oberoi of the UBC Asian Studies program introduces “An Evening with Dr. Kaveh Farrokh – Sassanian Architecture” (Monday March 12, 2011). This talk was given as part of the overall drive to promote support for the University of British Columbia’s Iranian Studies and Persian language initiative.


Professor Shapour Shahbazi: The Parthian Army

The posting below highlights the late Professor Shapour Shahbazi’s discussion of the Parthian army which was orginally published in the Encyclopedia Iranica on December 15, 1986 .

For more on Parthian Military History click on the picture below:

Kindly note that a number of pictures displayed in the Shahbazi article below are from Kaveh Farrokh’s lectures at the University of British Columbia’s Continuing Studies Division Stanford University’s WAIS 2006 Critical World Problems Conference Presentations on July 30-31, 2006; Farrokh’s textbook  Shadows in the Desert: Ancient Persia at War-Персы: Армия великих царей-سایه‌های صحرا-) as well as venues such as the Civilization Fanatics Center and


The Greco-Persian wars and Alexander’s victories proved that light-armed troops could not stop heavy, well-trained, and brilliantly led infantry of the type of hoplites or phalanx. These could only be encountered with heavily armed and highly professional cavalry causing disorder in the massed ranks and then attacking them on vulnerable points with bowshots capable of piercing armor and lances effective against shields. This lesson went home with the Parthians who in ousting the Seleucids from Iran had ample opportunity to experience the effect of heavily armed professional infantry led by Macedonian kings, and soon came to learn about the armament, tactics, and strategy of the Roman empire as well. So they formed their armies on sound bases, taking into consideration what was needed and what was available to them.

34-Map of Parthian Empire 44 BC to 138 AD

[Click to Enlarge] Map of the Parthian Empire in 44 BCE to 138 CE (Picture source: Farrokh, page 155, Shadows in the Desert: Ancient Persia at War-Персы: Армия великих царей-سایه‌های صحرا).  

In extent, the Parthian empire was smaller than that of the Achaemenids; it was also far less centralized. It lacked, for instance, a standing army (Herodian 3.1). There were of course the garrisons of towns and forts as well as armed retinues of tribal chiefs, feudal lords, and of the Great King himself, but these were limited and disunited. The military concerns were conditioned by the feudal system: when the need arose, the Great King appealed to his subordinate kings (there were 18 of them at one time: Pliny, Natural History 2.26), regional, and tribal lords and garrison commanders to muster what they could and bring them to an appointed place at a given time (Herodian, loc. cit.). The feudal lords and officials brought the mustering levies (*hamspāh: E. Herzfeld, Altpersische Inschriften, Berlin, 1938, pp. 313f.), and sometimes supplemented them with foreign mercenaries (Josephus, Jewish Antiquities 18.9.2, 22.3.4; on the mercenaries in general see J. Wolski, “Le rôle et l’importance des mercenaries dans l’état parthe,” Iranica Antiqua 5, 1965, pp. 103ff.). The backbone of the army (Parth. spā’) and the chief power of controlling the empire consisted of the Parthians themselves. Accustomed from an early age to the art of horsemanship and skilled in archery, the Parthian secured a reputation that is still echoed in the Persian term pahlavān (< Pahlav < Parθava) while Parthian tactic and shooting are examplary in military histories.

30-Parthian Cavalry officers and banners

[Click to Enlarge] Parthian cavalry and banners (Picture source: Farrokh, page 130, Shadows in the Desert: Ancient Persia at War-Персы: Армия великих царей-سایه‌های صحرا– these drawings originally appeared by Zoka in the 2,500 Year Celebrations of the Persian Empire in 1971).  

The nature of their state and political conditions combined with lessons of history enforced an unusual military structure in Parthia: North Iranian nomads constantly threatened eastern borders while in the west first the Seleucids and then the Romans were ever ready for full-scale invasions. Any stratagem against such a double danger required rapid mobility for going from Armenia to the Jaxartes on short notice; and the solution the Parthians found was to rely on cavalry (asbārān; ʾsbʾr attested in Nisa documents; V. G. Lukonin in Camb. Hist. Iran III/2, 1983, p. 700). It is true that Parthian armies did have foot soldiers, but their numbers were small and their function insignificant (Plutarch, Crassus 19; Appian, Bella civilia 2.18). On tactical considerations, too, only the cavalry could be useful to the Parthians, for the nomads of the east could easily break through any infantry that the Parthians were able to muster, while no Parthian infantry could have matched the Roman phalanxes on the western front. The Parthian nobles (āzāt, misunderstood by Greek and Roman sources as “free-men,” Lukonin, loc. cit.) formed the army by bringing along their dependants (misunderstood by Greek and Roman sources as “slaves,” Lukonin, ibid.). The example par excellence was Sūrēn who was not yet thirty years old when he vanquished Crassus: he came escorted by a thousand heavy-armed horsemen and many more of the light-armed riders, so that an army of 10,000 horsemen was formed by his bondsmen and dependants (Plutarch, Crassus 21 ). 400 Parthian āzāts threw an army of 50,000 mounted warriors against Mark Antony (Justin 41.2).


Parthian armored lancer (Picture Source: Civilization Fanatics Center).

Experience had shown that light cavalry—armed with a bow and arrows and probably also a sword—was suitable for skirmishes, hit-and-run tactics, and flank attacks, but could not sustain close combat (Justin, loc. cit.; Plutarch, Crassus 24; G. Rawlinson, The Sixth Great Oriental Monarchy, London, 1873, p. 405). For the latter task, heavy cavalry (cataphracti) was formed, which wore steel helmets (Plutarch, Crassus 24), a coat of mail reaching to the knees and made of rawhide covered with scales of iron or steel that enabled it to resist strong blows (ibid., 18, 24, 25; Justin, loc. cit.; on the description of the armor worn by the cataphracti given by the third-century story writer Heliodorus of Emesa, Aethiopica 9.15, see F. Rundgren, “Über einige iranische Lehnwörter im Lateinischen und Griechischen,” Orientalia Suecana 6, 1957, pp. 31-65 esp. pp. 33ff. with references). This was akin to the lamellar armor of the Sacians of the Jaxartes who in 130 B.C. overthrew the Greco-Bactrian kingdom (A. D. H. Bivar, “Cavalry Equipment and Tactics on the Euphrates Frontier,” Dumbarton Oaks Paper 26, 1972, pp. 273f.). The charger too was covered from head to knees by armor made of scale armor said to have been of steel or bronze (Justin, loc. cit., Plutarch, Crassus 24). An actual example of this horse-armor was found at Dura Europos (M. I. Rostovtzeff, The Excavations at Dura-Europos: Preliminary Report of the Second Season, New Haven, 1931, pp. 194ff.), while a famous graffito of the Parthian cataphract from the same site clearly demonstrates his full panoply (idem, Caravan Cities, Oxford, 1932, p. 195; F. E. Brown, “Sketch of the History of Horse Armor,” in M. I. Rostovtzeff and A. R. Bellinger, eds., The Excavations at Dura-Europos: Preliminary Report of the Sixth Season of Work, New Haven, 1936, pp. 444ff.).


[Click to Enlarge] Horse armor (Bargostvan) constructed of metal scales discovered at Dura Europus mounted on leather for a horse (Picture source:

For offensive weapons the cataphract had a lance and a bow. The spear was of unusual thickness and length (Plutarch, Crassus 27, Antony 45; Dio Cassius 40.22; Herodian 4.30), and was used with such skill—relying on its weight—and power that it “often had impetus enough to pierce through two men at once” (Plutarch, Crassus 27). The bow was of the powerful and large compound type which outranged Roman weapons and its arrows, shot with swiftness, strength, and precision, penetrated the armor of the legionaries (Plutarch, Crassus 18, 24; see further Rawlinson, op. cit., p. 404; N. C. Debevoise, A Political History of Parthia, Chicago, 1938, p. 86; F. E. Brown, “A Recently Discovered Compound Bow,” Seminarium Kondakovianum 9, 1937, pp. 1-10). The cataphract was probably equipped with a knife as well (Rawlinson, loc. cit.). So armed and thus skilled, he was one of the ablest and most feared soldiers of antiquity (on the cataphract see in more detail O. Gamber, “Grundriss einer Geschichte der Schutzwaffen des Altertums,” Jahrbuch der kunsthistorischen Sammlungen in Wien 52, 1966, pp. 7ff. esp. pp. 49-52; idem, “Katafrakten, Clibanarii, Normanenreiter,” ibid., 64, 1968, pp. 7ff.; B. Rubins’s summary of Drevniĭ Khorezm by S. P. Tolstov, Moscow, 1948, in Historia 4, 1955, pp. 264ff.). The Parthian army was at times additionally supported by camel-borne troops (Herodian 4.28, 30). The animal could bear the weight of the warrior and his armor better and endure harshness longer than the horse; also, the archer could discharge his arrows from an elevated position. These would have made the division very desirable had it not been greatly hampered by Roman caltrop (tribulus) which, scattered on the battlefield, injured the spongy feet of the animal (ibid.).


A reconstruction of the face on the statue of a Parthian nobleman housed at Tehran’s Iran Bastan Museum (Picture Source: Parthian Empire).

The Parthian tactic was that of harassing the enemy by the hit-and-run action, dividing his forces by pretending retreat and enticing pursuit but then turning unexpectedly back and showering the foe with deadly arrows, and, finally when he was reduced in number and courage, to surround him, and destroy him with volleys of missiles. The tactic was thus unfavorable to close combat operation, and inefficient in laying siege to forts and walled towns; nor could the Parthians sustain long campaigns, especially in the winter months (Rawlinson, op. cit., pp. 406ff.). Since they lacked siege-engines, the Parthians made no use of Roman machines whenever they captured them (Plutarch, Antony 38). And since the army was composed mainly of the dependants of the āzāts, it had to disband sooner or later and go back to the land and the crops. The Parthian general desired to bring to a close a campaign as soon as possible and return home. When the Great King led the army this haste was doubled by the fear of insurrection at home, the frequency of which was the greatest weakness of the Parthian empire. The battle was furious: war cries and kettledrums resounded from all sides, setting fear in enemy ranks (Plutarch, Crassus 23, 26; Justin 41.2; Herodian 4.30); mounted on the light horse the archers showered the enemy with volley after volley, and then retreated but again turned back to shoot while the charger was at full gallop—an ancient art which came to be known as “the Parthian shot” (M. L. Rostovtzeff, “The Parthian Shot,” AJA 47, 1943, p. 174ff.). Then the shock cavalry (cataphracts) moved in, still avoiding hand-to-hand combat but picking up the enemy with their missiles and piercing them with the heavy lance. Charging on large and trained war horses (see under Asb), of which some were brought as reserves (Dio Cassius 41.24), the Parthians avoided the deficiency of the Achaemenid cavalry by carrying camel-loads of arrows for use in the field as soon as their archers ran out of their own; this enabled sustained and effective long-range engagements and reduced the number of the enemy rapidly (Plutarch, Crassus 25, see further Rawlinson, op. cit., pp. 160f.; 402ff.).

 Parthian Shiva-tir (Horse Archers) engaged in discharging their missiles (Source: 

The organization of the Parthian army is not clear, and lacking a standing force, a strict and complicated organization was unnecessary in any case. The small company was called wašt; a large unit was drafš; and a division evidently a gund (G. Widengren, “Iran, der grosse Gegner Roms: Königsgewalt, Feudalismus, Militarwesen,” in H. Temporini and W. Haase, eds., Aufstieg und Niedergang der römischen Welt II/9.1, 1976, 220ff. esp. pp. 281f.). The strength of a drafš was 1,000 men (Lucian cited by A. Christensen, Smeden Kāväh og det Gamle Persiske Rigsbanner, Copenhagen, 1919, pp. 23f. [tr. J. M. Unvala, “The Smith Kaveh and the Ancient Persian Imperial Banner,” Journal of the Cama Oriental Institute 5, 1925, pp. 22ff. esp. p. 37 n. 2]), and that of a corps 10,000 (cf. Sūrēn’s army). It seems, therefore, that a decimal grade was observed in the organization of the army. The whole spā’ was under a supreme commander (the Great King, his son, or a spā’pat, chosen from the great noble families). The largest army the Parthians organized was that brought against Mark Antony (50,000: Justin 41.2). At Carrhae the proportion of the lancers to the light horse was about one to ten, but in the first and second centuries the number and importance of the lancers as the major actors of the battle-field increased substantially (Bivar, op. cit., pp. 274-75). The Parthians carried various banners, often ornamented with the figures of dragons (Christensen, op. cit., tr. Unvala, pp. 37f.), but the famous national emblem of Iran, the Drafš-e Kāvīān, appears to have served as the imperial banner (ibid., p. 39). The Parthians marched swiftly but very seldom at dark (Plutarch, Crassus 29; Antony 47). They used no war chariots, and confined the use of the wagon to transporting females accompanying commanders on expeditions (Rawlinson, op. cit., p. 409).

Royal family members at Hatra  (Picture source: Farrokh, page 150, Shadows in the Desert: Ancient Persia at War-Персы: Армия великих царей-سایه‌های صحرا).  

The Parthian period holds an important place in military history. Several Parthian kings—including the first and the last—fell in action, and their three century-long conflicts with Rome had profound effects on Roman military organization. For they not only succeeded in repulsing repeated Roman attempts at the conquest of Iran, but they inflicted severe defeats—even in their last days—upon the Roman invaders; and to face the long-range fighting tactics of the Parthian armored cavalry and mounted archers, the Romans started to supplement their armies of heavy and drilled infantry with auxiliary forces of riders and bowmen, thereby increasingly modifying traditional Roman arms and tactics (for details see E. Gabba, “Sulle influenze reciproche degli ordinamenti militari dei Parti e dei Romani,” in La Persia e il mondo greco-romano. Rome, 1966, pp. 51ff.).

Partho-Sassanian belt buckle dated to the 2nd or 3rd century CE (Picture source: Farrokh, page 143, Shadows in the Desert: Ancient Persia at War-Персы: Армия великих царей-سایه‌های صحرا).  

The Parthians finally submitted to an Iranian dynasty which had close links with them and retained the power of their nobility, one reason for their defeat being that while they still wore the old style lamellar armor, the Sasanians went to battle with the Roman type mail shirt, i.e., armor of chain links, which was more flexible and afforded better protection (Bivar, op. cit., p. 275).

A Forgotten Iranian Legacy: The Parthian Battery


A common misconception about the Parthians is that they lacked interest in the development of learning, science and technology. This belief is derived from the paucity of the available evidence, the lack of archaeological studies as well as subjective bias.

Technology certainly continued to evolve during Parthian rule. A dramatic discovery of a tomb by German Archaeologist Wilhelm Konig at Khujut Rabu (near modern Baghdad in Iraq) in 1936 found two near intact jars dated to the Parthian dynasty (approx. 250 BC-224 AD) which are possibly the world’s oldest batteries.

A Parthian battery. Note the clay jar which featured an iron cylinder surrounded by a cylinder of copper.

There have been a number of reconstructions of this ancient device in western laboratories and universities.

A schematic representation of the ancient Parthian battery. 

Nevertheless, not all historians accept Konig’s 1940 report that the items were “batteries”. What is generally agreed upon is that the “batteries” were used to electroplate items by mainly putting one layer of metal upon another (e.g. gold upon silver). This technique is still in evidence in many traditional metalworking shops of Iran today (i.e. Isfahan, Tabriz).

 Tests by Western scientists have revealed that when the jar of the battery was filled with vinegar (or other electrolytes), it was capable of generating between 1.5-2.0 volts.

If the jars were indeed “batteries” in the modern sense, then Count Alassandro Volta’s invention of the modern battery may have been predated by 1,600 years or more.  

Count Alessandro Volta (1745 – 1827), is often credited with the invetion of the modern battery. His legacy in the domain of physical sciences is seen in the term “Volt” derived from his last name “Volta”. In practice the very concept of the battery may have been invented in ancient Parthian Persia at least 1600 years past.


Anatolia: Heir to an Irano-Greek Legacy

The article regarding the history of the Lion and the Sun motifs on Iranian flags bears the image below which was originally identified as an Achaemenid seal of King Artaxerxes II (at left) facing the goddess Anahita who sits atop a lion. The seal however was not produced during the Achaemenid era, but after the fall of the Achaaemenids and is traceable to the post-Achaemenid dynasties of Anatolia known as Commagene, Cappadocia and the Pontus.

The seal was discovered along the northeastern shore of the Black Sea (Consult Collon, 1987, no. 432) in the region of the ancient Pontus.  The seal is in the British museum and not the Hermitage Museum of St. Petersburg as is often assumed.

Before we discuss (or revisit) the themes imprinted upon the plaque, we need to first provide a sketch of the successor states of Anatolia following the fall of the Achaemenids in 333-323 BC.

The Greco-Persian Legacy of Anatolia: An Overview

As Parthia gained prominence on the Iranian plateau and Mesopotamia, Persian culture had (once again) risen in prominence in Anatolia as it had during the Achaemenid era. Despite the fall of the Achamenid Empire a few hundred years before, the legacy of Iranic culture had never departed from eastern and central Anatolia. The Hellenic conquests had certainly resulted in political divisions with different regional monarchies, however the Iranic Culture of Pontus-Cappadocia endured

The Kingdoms of Anatolia, Pontus, Commagene and Cappadocia bore a very strong Iranian cultural, artistic and mythological tradition which was combined with that of ancient Greece. The kingdoms were later absorbed by the Roman Empire. Eastern Anatolia to this day endures with a distinct Iranic tradition with its Kurdish population speaking a west Iranian language akin to Persian.

The most famous Pontic leader was Mithradates (Mehrdad ) VI Eupator who was raised in the Greek language but also learned Persian (Bickerman, 1985, p.103; Raditsa, 1985, p.110).  Plutarch notes that Mehrdad Eupator appeared in “Persian Dress“.


Mithradates (Mehrdad ) VI Eupator (134-63 BC). Mithradates spoke both Persian and Greek and sought to combine the traditions of both Greece and Persia. According to Plutarch, he appeared in “Persian Dress”. 

Some Iranian influence even extended to Ionian coast along  Aegean. Plutarch had noted that the cultural exchanges taking place in Ephesos (near modern Izmir in western Turkey), were leading to latter’s “barbarization” (Plutarch, Lys. 3).  In Lycia, Iranic names become widespread among the nobility (Dandamaev & Lukonin, 1989, p.300). It was this Greco-Iranian legacy that was to inspire Mithradates of Eupador.

However, to characterize those regions as exclusively Iranian is simplistic: Eastern Anatolia bears a powerful Hellenic and subsequent Armenian imprint as well. During the Achaemenid era Greek cities began to be founded along the Black Sea coast just as the Iranian Magi, nobility and settlers were arriving into the region. A similar process of Irano-Greek fusion had been taking place in the ancient Ukraine since at least Median times.

Just twenty years after the passing of the Hellenic conqueror Alexander in 333 BC, two independent Irano-Anatolian monarchies gained power in Anatolia by 305 BC: the Kingdoms of Pontus and Cappadocia. What is especially of interest is that their subjects claimed descent from the Achaemenids of the First Persian Empire (Raditsa, 1985, p.106). Note the contrast to those Iranians west of the Halys River in western Anatolia: these had become Hellenecized after the conquests of Alexander.

Pontic Greek music performance during the Olympic ceremonies held in Athens, Greece in 2004. The music is of interest in that it contains instruments, percussion and melodies consistent with the Music of northern Iran, the Caucasus and Turkey. The drumming for example is seen in western Iranian folklore music; the genuflect motion is seen in various types of Kurdish dances; and the attire is seen in traditional Georgian and Armenian costume.

The Iranians of Cappadocia fought against Alexander at Gaugamela in 331 BC and continued to resist the Greeks, even after the fall of the Achaemenid Empire (Raditsa, 1985, p.106). Hellenization took longer to find its roots in Cappadocia and began a century after Alexander’s conquests. The Iranian character of Cappadocia recognized as late as the time of Roman Emperor Augustus by the ancient historian Strabo who considered Cappadocia as: “a living part of Persia” (Strabo XV, 3.15).

Cappadocia bore a strong Zoroastrian legacy.  Despite Alexander’s conquests of Asia Minor, Cappadocia still had many Iranian temples and Zoroastrian magi by the advent of Parthian rule in Persia (Strabo, XI, 14.16, XV, 733). Remarkable is the term of Grand Magus as being second after the king (Strabo, XII, 2.3). This term is found in Achaemenid, Parthian and Sassanian Persia.

The Mithraic-Zoroastrian temples of Cappadocia also served as centers of worship for the populations of: Armenia and Pontus (Raditsa, 1985, p.107) just as the temples of Media Atropatene did for Medes, Persians, Hyrcanians and other Iranic peoples of the Parthian realm.

By the 1st century BC Antiochus I of Commagne spoke of combining the mythology and cultures of Greece and Persia. His genealogy claimed Iranian descent from the Achaemenids and Greek descent from Alexander.

Statue at Nimrud-Dagh (ancient Commagene). Note the combination of tall conical Persian hat (still used by mystic cults and Dervishes) with Greek style of anthropomorphic depiction.  Antiochus I (86-38 BC) spoke Greek but dressed in Iranian style and demanded that the local Magi dress like the Persians. The surviving statues and architecture of Nimrud-Dagh shows a clear synthesis of Greek and Persian arts and architecture (Ghirschman, 1962).  

The regions of Cappadocia and Pontus failed to attract the same level of Hellenic immigration as those further east and south into Iran and Mesopotamia. As noted by Raditsa:

“…Hellenization in lands like Pontus and Cappadocia meant that the natives Hellenized themselves” (1985, p.112)

Assyriology notes on the Plaque: Heir to a Mesopotamian Tradition

But what of the plaque discussed in the introduction of the article?


It is interesting that the seal shows the sun emanating 21 rays, the same symbol which is used by various ancient Iranic cults among the Kurds of Iran, Iraq and Turkey. The 21 rays may be related to the festival date of Mehregan (Festival of the Sun-god Mithra) which takes place from the 16th to the 21st of Mehr of the Iranian calendar.

That too is in the post-Achaemenid tradition of arts and its style bears a stronger resemblance to the Achaemenid rather than the Hellenic arts. This was (as noted earlier) found in the site of the ancient Pontus where the imprint of Zoroastrianism was strong.

The plaque represents Anahita superimposed on a solar deity – perhaps the ancient Iranic god Mithras. But is the theme specifically Iranic and/or Zoroastrian? The discipline of  Assyriology provides an interesting explanation as to an ancient Mesopotamian tradition that has exerted its own influence upon the Iranian-type seal. Simo Parpola accounts of the seal are as follows:

The Achaemenid seal discovered on the northeast coast of the Black Sea and represents the goddess Anahita, mounted on a lion and surrounded by the divine radiance, appearing to a Persian king. The details of the king’s and the goddess’s dress and crown are Persian, but in all other respects the seal is a faithful reproduction of centuries older Assyrian seals depicting appearances of the goddess Ishtar to members of the imperial ruling class. It thus illustrates not only the adoption of the Mesopotamian concept of “divine radiance” by the Persians,

A Neo-Assyrian seal (circa  750-650 BC) of Ishtar (at left) standing with her bow on her mythical lion. She is faced by a worshipper. British Museum. The Assyrian and Mesopotamian tradition in general certainly left a robust legacy on the Achaemenid Persians who succeeded them. Indeed the Aramaic language was the Lingua Franca of the Achaemenid Empire.

Therefore while the Achaemenid (or post-Achaemenid) seal has Iranian mythological themes, its artistic motifs have certainly drawn from an ancient Mesopotamian tradition.


Collon, D. (1987). First Impressions: Cylinder Seals in the Ancient Near East. London: British Museum Publications.

Dandamaev, M., & Lukonin, V.G. (1989). The Culture and Social Institutions of Ancient Iran. New York: Cambridge University Press.

Ghirshman, R. (1962). Iran: Parthians and Sassanians. London: Thames & Hudson.

Nissinen, M. (Editor) (2000). Prophecy in Its Ancient Near Eastern Context: Mesopotamian, Biblical, and Arabian. Atlanta, GA:  Society of Biblical Literature.

Parpolo, S. (1997). Assyrian Prophecies. Helsinki, Finland:Helsinki University.