22nd Gran Paradiso Film Festival – World Wildlife Film Award given to an Iranian film on July 30, 2019

Luisa Vuillermoz, the Artistic Director of the Gran Paradiso Film Festival announced that the Fondation Grand Paradis has selected the movie “In the realm of the spider-tailed viperfor the 22nd edition of the Gran Paradiso Film Festival.
The director and producer of the movie “In the realm of the spider-tailed viper” is Dr. Mohammad Ala, winner of the 2018 Cinema Vérité Award, the 2018 Panda Award and the 2013 Grand Prix Film Italia Award. The above photo shows Dr Ala at the 22nd edition of the Gran Paradiso Film Festival
The above video shows Dr. Mohammad Ala discussing his films as related to the importance of protecting endangered species and the environment in general (Source: GPFF).
The movie “In the realm of the spider-tailed viperhas won the Prize WWF Italia awarded by the Technical Jury, as special acknowledgement for the engagement in the protection and safeguarding or rare and unique species.
The above photo shows Dr. Ala (second from left receiving  the 2013 Grand Prix Film Italia Award) along with two Italian mayors from Lecce and Bari who attended this event. The festival is known among Italians because it started in 1962.
As noted by Luisa Vuillermoz with respect to the 22nd edition of the Gran Paradiso Film Festival 0f 2019:
I would like to take this opportunity to thank Dr. Mohammad Ala for his participation and his important contribution during the presentation of the Iranian film to the Festival audience.
For more information, photos, press releases, news and information about the 22nd Gran Paradiso Film Festival are available at the official website www.gpff.it.

Fall 2019 Iranian Studies Initiative Lectures at the University of British Columbia

The University of British Columbia’s Persian and Iranian Studies Initiative of the Department of Asian Studies at the University of British Columbia will be providing a series of lectures by prominent Iranian Studies scholars in the Fall of 2019. All of these lectures will be Free and open to the general public. As seen further below, the lecturers shall be Mahsa Rad, Dominic P. Brookshaw, Shahzad Bashir, Farzan Kermani, Morteza Asadi and Kaveh Farrokh.

The planned lectures and specific dates for these are as follows:

Mahsa Rad, Ph.D. Candidate in Psychology, Tarbiat Modares University, Tehran; Visiting International Research Student at UBC: Loneliness and  Struggle: Self-Narratives of Iranian Trans People’s Livesروایت  زندگی ترنس های ایرانی (in Persian)[13 Sept. 2019, 6:00 – 8:00 p.m., lecture hall to be announced]

Dominic P. Brookshaw, Ph.D., Associate Professor of Persian Literature at The Oriental Institute, Oxford Semi-Annual Lecture in Persian/Iranian Studies: One Poet Among Many: Hafez and the Transregional Literary Networks of 14th-Century Iran (in English) – [Sept. 27, 2019, lecture hall to be announced]

Shahzad Bashir, Ph.D., Aga Khan Professor of Islamic Humanities, Professor of Religious Studies, Brown University: Imagining Time in India: Persian Chroniclers and their Interpreters (in English) – [11 Oct. 2019, 6-7:30 p.m., lecture hall to be announced]

Farzan Kermani, Ph.D. in Design, IIT Bombay: Iranian Art After Islam: With a Look at Some Renowned Iranian Calligraphersهنر ایران پس از اسلام: با نگاهی به سرگذشت چند خوشنویس بلندآوازه – (in Persian) – [25 Oct. 2019, 6:00 – 8:00 p.m., lecture hall to be announced]

Morteza Asadi, Ph.D., Visiting Scholar at the School of International Studies, Simon Fraser University, Vancouver, BC; former Assistant Professor of Economy at Kharazmi University, Tehran: Political Economy of Oil Curse: The Case of Post-Revolutionary Iran (in English) – [8 Nov. 2019, 6:00 – 8:00 p.m., lecture hall to be announced]

Kaveh Farrokh, Ph.D., Professor of History & Academic Advisor for Analytica Iranica, Methodolgica Governance University, Paris, France: Civilizational Contacts between Ancient Iran and Europa during the Classical Era (in English) – [29 Nov. 2019, 6:00 – 8:00 p.m., lecture hall to be announced]

Readers further interested in Kaveh Farrokh’s upcoming lecture are encouraged to download two of his peer-reviewed articles as well as the Dissertation of Sheda Vasseqhi below:

Farrokh, K. (2016). An Overview of the Artistic, Architectural, Engineering and Culinary exchanges between Ancient Iran and the Greco-Roman World. AGON: Rivista Internazionale di Studi Culturali, Linguistici e Letterari, No.7, pp.64-124.

Farrokh, K. (2009). The Winged Lion of Meskheti: a pre- or post-Islamic Iranian Legacy in Georgia? Scientific Paradigms. Studies in Honour of Professor Natela Vachnadze. St. Andrew the First-Called Georgian University of the Patriarchy of Georgia. Tbilisi, pp. 455-492.

PhD Dissertation by Sheda Vasseqhi (University of New England; academic supervision team Academic advising Team: Marylin Newell, Laura Bertonazzi, Kaveh Farrokh): Positioning Of Iran And Iranians In  the Origins Of Western Civilization.

See also:

A detail of the painting “School of Athens” by Raphael 1509 CE (Source: Zoroastrian Astrology Blogspot). Raphael has provided his artistic impression of Zoroaster (with beard-holding a celestial sphere) conversing with Ptolemy (c. 90-168 CE) (with his back to viewer) and holding a sphere of the earth. Note that contrary to Samuel Huntington’s “Clash of Civilizations” paradigm, the “East” represented by Zoroaster, is in dialogue with the “West”, represented by Ptolemy.  Prior to the rise of Eurocentricism in the 19th century (especially after the 1850s), ancient Persia was viewed positively by the Europeans.

Academic Publishing House (Qoqnoos) Translates Iran at War into Persian

Kaveh Farrokh’s third textbook, Iran at War: 1500-1988 (Osprey Publishing, 2011) has been translated into Persian by one of the most prestigious academic Persian-language publishing houses, known as Qoqnoos Publishers (انتشارات ققنوس). The translation (ایران در جنگ) has been conducted by Maryam Saremi. Qoqnoos has translated into Persian academic textbooks by scholars such as David Nicolle, Josef Wiesehofer, Duncan head, Touraj Atabaki, Nino Piglokevskaya, Sandra Mackey, Touraj Daryaee, Mohammed Dandamaev, Agrar Aliev, Christopher Foster, and Mary Boyce.

Cover pages of Iran at War (1500-1988) (Left) and the 2018 translation “ایران در جنگ” by Maryam Saremi of Qoqnoos publishers (Right). Iran at War is Farrokh’s third textbook on the military history of Iran. The total number of translations of Farrokh’s first three books are now seven (discussed further below). To date (Fall of 2018), Farrokh has published and co-authored eight textbooks on the Military History of Iran (three have been published in 2018).

The publishing of the Persian translation of “ایران در جنگ” (Iran at War) has been announced by major Persian-language news outlets such as:

Cover jacket of Iran at War: 1500-1988. [CLICK TO ENLARGE] A photo taken in 1926 of a military assembly in Tehran. The troops are about to pose for a military review. Note  diverse nature of Iranian troops (Kurds, Azeris, Lurs, Baluchis, Qashqais, Persians), reminiscent of the armies of Iran since antiquity.  Colonel Haji Khan Pirbastami at far left (with hand resting on sword – more on him further below) and unknown officer to the right are members of the Gendarmerie para-military forces.

Farrokh’s original 2011 English language text was reviewed by the Wall Street Journal in 2011 (link now broken but excerpts available here, and announced by the University of British Columbia on Twitter):

Kaveh Farrokh is an expert on Persian languages and Iranian history whose new book, Iran at War: 1500-1988, provides a full examination of modern Iranian military history… His previous title Shadows in the Desert: Ancient Persia at War (Osprey, 2007) was named “Best History Book” by the World Academy of Arts Literature and Media in 2008. Dr. Patrick Hunt at Stanford University, said this about it,  ”… a book for all who have ever been curious about the ‘other’ view on Persia, not from the Western standpoint rooted in Greece, but from the traditions of the Persians themselves… Meticulously researched and documented….

Shah Ismail as depicted by a European painter – the painting is now housed in the Uffizi Gallery in Italy. Note the Latin terms “Rex Persareum” [Monarch of Persia] which makes clear that Shah Ismail was the king of Safavid Persia or Iran. Despite being hopelessly outmatched by the Ottoman armies in manpower and firearms, Ismail stood his ground in Chaldiran on August 23, 1514. Despite their victory, the Ottoman Turks, who had also suffered heavy losses,  failed to conquer Iran.

The Iran-based Library, Museum and Center of Manuscripts (May 20, 2012) (ارایه کتاب «ایران در جنگ: ۱۹۸۸-۱۵۰۰» در کتابخانه مجلس-(۳۱ اردیبهشت ۱۳۹۱ provided a review of the original 2011 English language text (see excerpts below):

فرخ با تحلیل جنگ های مذهبی و غیرمذهبی رخ داده در این مدت به ما نشان می دهد که چگونه ایران از همه طرف (شرق، غرب، جنوب) و در دوره های مختلفی مورد هجوم همسایه هایش قرار گرفته است… تحلیل های فرخ از انقلاب اسلامی و جنگ ایران و عراق، اطلاعاتی در مورد پیشینه نظامی ایران در اختیار ما می گذارد که تا به حال مطرح نشده است.-

“Farrokh has analyzed the religious and non-religious wars and has demonstrated how Iran has been attacked by its neighbors from all sides (east, west and south) over several periods…Farrokh’s analyses of the Islamic revolution and the Iran-Iraq war provides us information that has hitherto remained unmentioned…”

A painting of the Battle of Karnal (February 22, 1739) made by Mosavar ol-Mamalek.The battle ended in an overwhelming victory for Nader Shah (see his statue in the inset photo). The Iranians then occupied Delhi and captured India’s royal jewels. Some Indian historians (i.e. Sarkar) have argued that India was severely weakened by Nader Shah; this allowed the British Empire to easily spread its dominance over the entire Indian subcontinent just decades after the battle of Karnal (picture source: R. Tarverdi (Editor) & A. Massoudi (Art editor), The land of Kings, Tehran: Rahnama Publications, 1971, p.228).

The Business Daily Report of Egypt published a review in September 2011 by Robert Terpstra of the original 2011 English language text (see excerpts below):

Documenting nearly five centuries of history is no small feat, and Kaveh Farrokh does it well in Iran at War: 1500–1988. … detailed account of key figures and dates on history’s battlegrounds. What is refreshing, however, is that the book discusses the Islamic Republic of Iran without painstakingly rehashing the Islamic Revolution, which appears in just about every book on the country.
The strongest chapter … dealing with the Iran-Iraq war … not much is known about the Iran-Iraq war. Farrokh helped change that … What is telling, and what the author illustrates as an important part of his research, is the detailing of the territorial boundaries of the state — in 1772 stretching from Ghazni in modern day eastern Afghanistan west to Diyarbakir in modern day Kurdistan or Turkey proper. The empire reached as far north as the North Caucasus as well as encapsulating both the Tigris and Euphrates rivers in present-day Iraq.Several maps throughout the book illustrate the growth and significant receding landmass of Iran. Presently, more than 200 years after the 18th century Afghan invasions, Iran still presents itself as an imposing state and a necessary inclusion in all conversations in negotiating mention of the volatile Middle East. The book is a must for the progression of modern day and historical Iranian scholasticism. At 480 pages, absorbing the book over time is best — a book that’s content contains such detail demands and deserves it.

Some scenes from the Iran-Iraq war (1980-198): [1] Demoralized Iraqi army tank crew surrenders during the Iranian liberation of Khorranshahr in May 1982 (Picture Source: Military Photos) [2] Ex-Iraqi BMP armored personnel carriers being used by the Iranians against their former owners (Picture Source: Shahed) [3] A captured Iraqi French-made ROLAND low-altitude anti-aircraft missile system at Fao in February 1986 (Picture source: Military Photos) [4] Iranian troops transport captured Iraqi SAM missiles in the aftermath of the expulsion of occupying Iraqi forces from Khuzestan in May-June 1982 (Picture source: Military Photos).

The Small Wars Journal published a review in July 2012 by Youssef Aboul-Enein (Adjunct Islamic Studies Chair at Dwight D.Eisenhower School for National Security and Resource Strategy [formerly ICAF]) of the original 2011 English language text (see excerpts below):

As the United States and the international community faces Iran over a variety of contentious issues from the acquisition of militarized nuclear capabilities to support for the Syrian regime, as well as Hizbullah in Lebanon it becomes necessary for members of the United States Armed Forces and our partners to immerse themselves on book about Iran. Dr. Kaveh Farrokh … has published a timely volume immersing readers in five centuries of how Persians have waged and conducted war. The book delves deeply into the history and psychology of warfare and provides a grounding of how Iranians see threats and challenges today.

Modern-day Lur rifleman of the type that formed the backbone of the armies of Karim Khan Zand (1705-1779) (Picture source: courtesy of Mehdi Dehghan). At bottom is an Iranian gun with a British percussion cap mechanism fitted to the barrel from the Zand era (Picture source: Dr. Manouchehr M. Khorasani (2009), Persian Firearms part Three: The percussion Cap Lock. Classic Arms and Militaria, pp.22-27).

Note that Qoqnoos had already translated into Persian another of Kaveh Farrokh’s books, “Shadows in the Desert: Ancient Persia at War” (2007), in 2011 (translator: Maryam Saremi). There are two other translations of “Shadows in the Desert”:

In addition, Kaveh Farrokh’s first book, Elite Sassanian cavalry (2005, Osprey Publishing) has been translated thrice the following:

Undated photo of Colonel Haji Khan Pirbastami before his final mission to fight the Bolsheviks invading northern Iran in c.1926-1927. Haji Khan believed in the concept of fighting alongside the troops he commanded. Fate finally caught up with him as he was engaged in close quarters fighting against the Bolsheviks. As he was locked in hand to hand combat, one of the Bolsheviks shot him at close quarters. Although Haji Khan did survive the battlefield, he had to be bought back from the north to Tehran for medical treatment. Haji Khan reached the capital city but it was already too late: he finally succumbed to his wounds shortly thereafter. 

Iranian film received Panda Award on October 19, 2018 in the UK

The first Iranian documentary film to win the Panda Award in the U.K occurred on October 19, 2018. There were 800 film submissions to the Wildscreen film festival in the UK (held from October 15 – 19). Out of these 800 films, 37 films were nominated for the Panda award. Fourteen Panda awards were provided in 14 categories.

Wildscreen is ranked first in Wildlife in the world and was established in the UK 36 years ago.

The major goal of festival is to convene the best photographers, filmmakers and creative professionals with the most committed conservationists to create compelling stories about the natural world; that inspire the wider public to experience it, feel part of it and protect it.

An Iranian film in the talent category received the first ever Panda award. The main goal of Spider-tailed viper film, produced by Mohammad Ala in Iran, is to protect the habitat of this creature. The award for the film and Mahmoud who did not get a visa to attend this festival was collected by its producer, Dr. Mohammad Ala.

This Iranian film was produced in Iran with all Iranian crew and was funded by its independent producer which took six years to produce it.

Click the link here for viewing the list of 2018 Wildscreen Panda Award winners …

Dr. Mohammad Ala received the Panda Award on October 19, 2018. Note that Dr. Mohammad Ala is also the Recipient of the Grand Prix Film Italia Award in 2013 (for more click here …)

Winning the award created interest worldwide to save the spider-tailed viper. Once negotiations for streaming is completed, it will become public for everyone to observe this unique creature which is only found in Iran’s Ilam Province.

A brief video of this documentary can be seen by clicking here …

Finally, readers are encouraged to view this link on a recent German-Iranian film “Liebe auf Persisch [Love in Persian]” …

New Course: The Silk Route-Origins and History

A new course by Kaveh Farrokh entitled “The Silk Route-Origins and History” is being offered at the University of British Columbia (final lecture on December 16, 2014):

 SR-UBC-2

The lectures will be delivered at the Tapestry Center in the University of British Columbia’s Wesbrook Village. For information on registration, etc., kindly contact the University of British Columbia-Continuing Studies Division.

 Tajik-Nowruz

Tajik girls celebrate the Iranian Nowruz (New Year) on March 21, 2014 in Dushanbe, Tajikestan.

Below is a synopsis of the course as delivered in the Class syllabus:

The origins and history of the east-west Silk Route that connected the empires of Asia, Central Asia, Persia and the Romano-Byzantine West, as well as the lesser-known north-south route that connected Persia, the Caucasus and East- Central Europe. Emphasis will be placed on the development and transfer of the arts, music, culture, mythology, cuisine, and militaria. The peoples of the Silk Route from China across Eurasia, Central Asia, Persia to Europe are also examined

WAALM-Logo

The curriculum and impetus of this course is the direct outcome of meetings with the Cultural Diplomacy’s Department of Traditions & Cultural History of the WAALM Academy based in London, England. WAALM is affiliated with the Academic Council On The United Nations System (ACUNS) and The International Peace Bureau. WAALM was nominated for the Nobel Peace Prize in 2011. Kaveh Farrokh has been featured in WAALM’s Tribune Magazine (click here…).

silk painting

Chinese painting of Leizu (Xi Ling Shi) the ancient Chinese empress credited with inventing silk in c. 2700 BCE; she was the teenage wife of the Yellow Emperor Huangdi.

shir-dar-samarkand

The “Shir Dar” (Lion Gate/doorway) of the Islamic college at Samarkand built originally in 1627 (Nafīsī, 1949, p. 62). The sun motif is characterized by Kriwaczek (2002, picture Plate 1) as ”…the image of Mithra, the rising and unconquered sun, Zoroastrian intercessor between God and Humanity” (Courtesy of Kriwaczek, 2002).

Chinese women silk-12th century CE

Chinese women produce silk in the 12th century CE.

Kyrgiz MusiciansKyrgyz musicians performing with traditional instruments. Hsiang-Nou races replaced Iranian speaking peoples of Central Asia; Despite this: These greatly assimilated the cultural and mythological traditions of their Iranic predecessors.

UBC-2-Migrations

One of ancient founding peoples of the Silk Route? Mummies bearing Caucasoid features uncovered in modern northwest China; these were either Iranic-speaking or fellow Indo-European Tocharian (proto-Celtic?). Archaeologists have found burials with similar Caucasoid peoples in ancient Eastern Europe. Much of the colors and clothing of the above mummies bear striking resemblance to the ancient dress of pre-Islamic Persia/Iran and modern-day Iranian speaking tribal and nomadic peoples seen among Kurds, Lurs, Persians, etc.  (Source: Kaveh Farrokh’s lectures at the University of British Columbia’s Continuing Studies Division – this was also presented at Stanford University’s WAIS 2006 Critical World Problems Conference Presentations on July 30-31, 2006, the annual Tirgan event at Toronto (June, 2013) and at Yerevan State University’s Iranian Studies Department (November, 2013) – Diagram is Copyright of University of British Columbia and Kaveh Farrokh). For more on this topic, see also here…