UBC Lecture (November 29, 2019): Civilizational Contacts between Ancient Iran and Europe

Kaveh Farrokh will be providing a comprehensive lecture on November 29, 2019 at the University of British Columbia:

“Civilizational Contacts between Ancient Iran and Europe”

Lecture Time & Location: 29 November 2019 6:30-8:30 pm – Room 120, CK Choi Building – For details view below poster – and also click here …). The lecture is free, however due to limited seating interested participants are encouraged to obtain their (Free) tickets (for details view below poster – and also click here …)

This lecture will be hosted by the Alireza Ahmadian Lectures in Persian and Iranian Studies, Persian Language and Iranian Studies Initiative at UBC (University of British Columbia), UBC Asian Studies, UBC Persian Club and the UBC Zoroastrian Student Association.

Abstract & Overview of Lecture

This lecture provides a synoptic overview of the civilizational relations between Greater ancient Iran and Europa (Greco-Roman civilization as well continental Europe). The discussion is initiated with an examination of the conduits of exchange between Greater ancient Iran (the Achaemenid, Parthian and Sassanian dynasties of Iran as well as the role of Northern Iranian peoples), the Caucasus and Europa. The lecture then provides an overview of learning exchanges between east and west spanning the time era from the Achaemenids into the Post-Sassanian eras, followed by examples of artistic, architectural, and engineering exchanges between Greco-Roman and Iranian civilizations. Select examples of the ancient Iranian legacy influence upon the European continent are also discussed, followed (time permitting) by examples of the musical legacy of ancient Iran as well as Iranian-European exchanges in the culinary domain.

Select References & Readings

Ahmed, A. & Zaman, O. (eds.) (2018). Dialogue Between Cultures & Exchange of Knowledge And Cultural Ideas between Iran, Turkey & Central Asia With Special reference to the Sasanian & Gupta Dynasty, Proceedings of Conference 8-10 February, 2018. Assam, India: Department of Persian Guawahati University.

Akhvledinai & Khimshiasvili, (2003). Impact of the Achaemenian architecture on Iberian kingdom: Fourth-first centuries BC. The First International Conference on the Ancient Cultural Relations Between Iran and Western Asia, Abstracts of Papers, Tehran, Iran, August 16-18, 2003, Tehran: Iran Cultural Fairs Institute.

Angelakis, A.N., Mays, L.W., Koutsoyiannis, D., Mamassis, N. (2012). Evolution of Water Supply through the Millennia. London & New York: IWA Publishing.

Asutay-Effenberger, N. & Daim, F. (eds.) (2019). Sasanidische Spuren in der Byzantinischen, Kaukasischen und Islamischen Kunst und Kultur [Sasanian Elements in Byzantine, Caucasian and Islamic Art and Culture]. Mainz, Germany: Verlag des Römisch-Germanischen Zentralmuseums.

Azarpay, G. (2000). Sasanian art beyond the Persian world. In Mesopotamia and Iran in the Parthian and Sasanian periods: Rejection and Revival c.238 BC-AD 642, Proceedings of a Seminar in memory of Vladimir G. Lukonin (ed. J. Curtis), London: British Museum Press, pp.67-75.

Azkaei, P.S. (1383/2004). حکیم رازی (حکمت طبیعی و نظام فلسفی) [(The) Wise Razi (Natural Wisdom and System of Philosophy)]. Tehran, Iran. Entesharate Tarh-e Now.

Babaev, I., Gagoshidze, I., & Knauß, F. S. (2007). An Achaemenid “Palace” at Qarajamirli (Azerbaijan) Preliminary Report on the Excavations in 2006. Ancient Civilizations from Scythia to Siberia, Volume 13, Numbers 1-2, pp. 31-45.

Beckwith C.I. (2011). Empires of the Silk Road: A History of Central Asia from the Bronze Age to the Present. Princeton University Press.

Canepa, M. P. (2010). Distant displays of power: understanding cross-cultural interaction interaction among the elites of Rome, Sasanian Iran and Sui-Tang China. Ars Orientalis, Vol. 38, Theorizing Cross-Cultural Interaction among the Ancient and Early Medieval Mediterranean, Near East and Asia, pp. 121-154.

Carduso, E.R.F. (2015). Diplomacy and oriental influence in the court of Cordoba (9th to 10th centuries). Dissertation, Department of History of Islamic Mediterranean Societies, University of Lisbon, Portugal.

Compareti, M. (2019). Assimilation and Adaptation of Foreign Elements in Late Sasanian Rock Reliefs at Taq-i Bustan. In Sasanidische Spuren in der Byzantinischen, Kaukasischen und Islamischen Kunst und Kultur [Sasanian Elements in Byzantine, Caucasian and Islamic Art and Culture] (eds. N. Asutay-Effenberger & F. Daim), Mainz, Germany: Verlag des Römisch-Germanischen Zentralmuseums, pp.19-36.

Curatola, G., & Scarcia, G. (Tr. M. Shore, 2007). The Art and Architecture of Persia. New York: Abbeville Press.

During J., Mirabdolbaghi, Z., & Safvat, D. (1991). The Art of Persian Music. Mage Publishers.

Farhat, H. (2004). The Dastgah Concept in Persian Music. Cambridge & New York: Cambridge University Press.

Farrokh, K. (2018). Germania, Vikings, Saxons and Ancient Iran. Persian Heritage, 90, pp.28-30.

Farrokh, K., Karamian, Gh., Kubic, A., & Oshterinani, M.T. (2017). An Examination of Parthian and Sasanian Military Helmets. In “Crowns, hats, turbans and helmets: Headgear in Iranian history volume I” (K. Maksymiuk & Gh. Karamian, Eds.), Siedlce University & Tehran Azad University, pp.121-163.

Farrokh, K. (2016). An Overview of the Artistic, Architectural, Engineering and Culinary exchanges between Ancient Iran and the Greco-Roman World. AGON: Rivista Internazionale di Studi Culturali, Linguistici e Letterari, No.7, pp.64-124.

Farrokh, K. (2009). The Winged Lion of Meskheti: a pre- or post-Islamic Iranian Legacy in Georgia? Scientific Paradigms. Studies in Honour of Professor Natela Vachnadze. St. Andrew the First-Called Georgian University of the Patriarchy of Georgia. Tbilisi, pp. 455-492.

Farrokh, K. (2007). Shadows in the Desert: Ancient Persia at War. Oxford: Osprey Publishing-Персы: Армия великих царей-سایه‌های صحرا/کویر (انتشارات ققنوس ۱۳۹۰ و انتشارات طاق بستان ۱۳۹۰) – see Book review from peer-reviewed Iranshenasi Journal

Feltham, H. (2010). Lions, Silks and Silver: the Influence of Sassanian Persia. Sino-Platonic Papers, 206, pp. 1-51.

Freely, J. (2009). Aladdin’s Lamp: How Greek Science Came to Europe Through the Islamic World. New York: Alfred A. Knopf.

Gagoshidze, Y. M. (1992). The Temples at Dedoplis Mindori. East and West, 42, pp. 27-48.

Garsoïan, N. (1985). Byzantium and the Sassanians. In The Cambridge History of Iran Volume 3: The Seleucid, Parthian and Sasanid Periods, Part 1 (ed. E. Yarshater), Cambridge, England: Cambridge University Press, pp. 568-592.

Gheverghese, J.G. (1991). The Crest of the Peacock: Non-European Roots of Mathematics. London: I.B. Tauris.

Gnoli, G. & Panaino, A. (eds.) (2009). Studies in History of Mathematics, Astronomy and Astrology in Memory of David Pingree – Serie Orientale Roma CII. Rome: Italy: Istituto Italiano per L’Africa e L’Oriente.

Kayser, P., & Waringo, G. (2003). L’aqueduc souterrain des Raschpëtzer: un monument Antique de l’art de l’ingénieur au Luxembourg [The underground aqueduct of Raschpëtzer: an ancient monument of the art of engineering in Luxembourg]. Revue Archéologique de l’Est, vol. 52, pp. 429-444.

Kurz, O. (1985). Cultural relations between Parthia and Rome. In The Cambridge History of Iran Volume 3: The Seleucid, Parthian and Sasanid Periods, Part 1 (ed. E. Yarshater), Cambridge, England: Cambridge University Press, pp. 559-567.

Miller, A.C. (2006). Jundi-Shapur, bimaristans, and the rise of academic medical centres. Journal of the Royal Society of Medicine, 99 (12), pp. 615–617.

Miller, L.C. (1999). Music and Song in Persia (RLE Iran B): The Art of Avaz. Great Britain: Routledge.

Overlaet, B. (2018). Sasanian, Central Asian and Byzantine Iconography – Patterned Silks and Cross-Cultural Exchange. In B. Bühler & V. Freiberger (eds.), Der Goldschatz von Sânnicolau Mare [The Gold Treasure of Sânnicolau Mare]. Regensburg: Schnell & Steiner, pp. 139-152.

Roberts, A.M. (2013). The Crossing Paths of Greek and Persian Knowledge in the 9th-century Arabic ‘Book of Degrees’. Orientalia Christiana Analecta, 293, pp.279-303.

Silva, J.A.M. (2019). The Influence of Gondeshapur Medicine during the Sassanid Dynasty and the Early Islamic Period. Archives of Iranian Medicine, 22 (9), pp. 531-540.

Sparati N. (2002).  L’ enigma delle arti Asittite della Calabria Ultra-Mediterranea [The enigma of the Asittite arts of Calabria Ultra-Mediterranean]. Mammola, Italy: MuSaBa – Santa Barbera Art Foundation & Iiriti Editore.

Ward. P. (1968). The Origin and Spread of Qanats in the Old World. Proceedings of the American Philosophical Society, Vol. 112, No. 3, pp. 170-181.

Wulff, H. (1968). The Qanats of Iran. Scientific American, Vol. 218, No. 4, pp. 94–105.

Select Major Reference Resources in Kaveh Farrokh.com

Select Articles in Kavehfarrokh.com

When Roman “Barbarians” Met the Asian Enlightenment

The article When Roman “Barbarians” Met the Asian Enlightenmentwas first published by The Strange Continent.com. A portion of that article has been printed below which has been edited. Commentaries have also been inserted for reference. Kindly note that the article printed below features a number of additional images and accompanying captions that do not appear in the original article in The Strange Continent.

Consistent with this topic, a lecture entitled Civilizational Contacts between Ancient Iran and Europe during the Classical Era will be offered by Kaveh Farrokh at the University of British Columbia, Department of Asian Studies Alireza Ahmadian Lectures in Persian and Iranian Studies (November 29, 2019, 6:30-8:30, Room 120, CK Choi Building) … for further details kindly click the image below …

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This week, the BBC announced the discovery of two “ethnically Chinese” skeletons at an ancient Roman burial site in England. Who were they? What drove them to the far end of the world? We don’t know, yet.

But for once, an article’s clickbait headline may not be exaggerating. If the genetic identity of these skeletons can be confirmed, it could indeed “rewrite Roman history” — or at least, a whole lot of long-held assumptions about who was in contact with whom in the days of the Roman Empire.

Oh, we’ve known for a long time the ancient Romans were aware of China’s existence — in fact, Chinese silk was such a drain on the Roman economy that the senate tried to outlaw it in the year 14 CE. And the Chinese emperors of the Han dynasty were certainly aware of Rome — they called it Da Qin and repeatedly tried to reach it with envoys and missionaries.

No one disputes the fact that these two cultures had centuries of indirect contact, via trade routes through India and Persia. Roman coins have been found as far east as Japan where Persians were teaching mathematics to the locals.

Sassanian influences upon Japanese arts: the case of the metalwork plate of Shapur II hunting lions (Hermitage Museum, St. Petersburg – Inv. S-253) and motif-parallels in Japanese textile arts (Source: Fall 2014 course on the Silk Route at the University of British Columbia).

DNA evidence seems to suggest that Europeans settled on the western fringes of China as early as the 200s BCE.

COMMENT BY Kavehfarrokh.com: The sentence “Europeans settled on the western fringes of China as early as the 200s BCE”  is somewhat misleading. First, there are common Indo-European ancestors for the Europeans, Indians and Iranians. The peoples the writer is referring to may have been variously proto-Iranian or Tocharian – the dress found among their mummies in Urumchi for example bear striking resemblance to the later attire of the Medes, Achaemenids, Scythians, Sarmatians, Parthians and Sassanians. Second, these settlements in northwest China appear to have taken place earlier before the reign of the Medes and the succeeding Medo-Achaemenids.

What’s much less clear, though, is whether Chinese or Roman diplomats ever managed to achieve direct contact on each others’ native soil.

Until these Chinese skeletons were unearthed in England — at the far-western end of the Roman Empire, no less — no one had ever found any proof that a single Chinese envoy ever made it to Rome; or that a Roman envoy reached China. Which would mean…Romans were largely locked out of the civilized world. But wait… wasn’t Rome “the civilized world?”

That’s certainly what most of us (in the West, anyway) are taught in school. Back in my school days, I was taught a fair amount about Rome, a tiny bit about China, even less about Persia, and nothing at all about the Kushans, or the Axumites, or any of the other powerful empires that controlled large chunks of the globe — and often helped shape the cultures and fortunes of European nations. Maybe you can relate.

The truth is, though, that Rome’s Asian contemporaries completely dwarfed Rome in many respects: heritage, population density, cultural diversity, technology, architecture, medicine, philosophy, poetry… I could go on, but you get the idea. During the Roman period, the Asian continent was by far the wealthiest, most advanced, most culturally diverse place on earth. Imperial Rome was a dim backwater by comparison.

Ever since I’ve learned that fact, it’s always made me sad to think of the Romans being largely cut off from the main action on the world stage.

If researchers can verify the ancestry of these skeletons in England, maybe Rome wasn’t quite as cut off as we always believed. It’s an exciting thought. But it doesn’t change the fact that, on the whole, contact between Rome and the East — and thus, between Eastern and Western cultural legacies — was mostly indirect, mediated by third (and often fourth and fifth) parties.

Who were these vast empires of Asia? What was it like to live in them? Where did they come from, and what legacies did they leave?

I’m glad you asked. Let’s take a journey to the East.

Before we begin our tale, we first need to briefly set our stage, and make sure all our actors are on their marks.

In the 200s to 400s CE (the range of dates during which the owners of those Chinese skeletons made their way to Roman Britain) the map looked something like this:

A map of the Three Great Empires of Antiquity in c. 200 CE: Rome, Persia (Parthians followed by Sassanians) and China (Source: The Strange Continent).

I say “something like this” because a lot was going on during those centuries:

  • Rome’s legions were fighting fiercely for control of Gaul (modern France and Germany), Britain, Egypt, and various parts of the Balkans; while a succession of (often unfairly maligned) emperors scrambled to hold Rome together through an endless series of famines, wars with the East, coups d’état, refugee crises, and revolts.
  • The steppe horsemen known as the Parthians lost control of Persia, which entered a great classical age under the Sassanian dynasty.
  • The Han dynasty lost its grip on China, which split into three powerful warring kingdoms.
  • Vast tracts of southern Asia were changing hands among a dozen or more competing empires, each with its own rich culture.

Since we don’t know exactly when those Chinese travelers (whoever they were) left China and arrived in Roman Britain, it’s hard to say exactly what kind of “China” they left, what kind of “Rome” they arrived in, or what kind of “Persia” — or what other empires, exactly — they had to pass through.

With that in mind, let’s spend some time in a few of those Asian empires, and get to know their people a little better.

The Sassanians

The Sassanians could trace their cultural ancestry all the way back to the primordial mists of recorded history, to the dawn of civilization itself.

Ancient Persian traditional music as posted by The Strange Continent.

They had taken Persia from the Parthians, who’d taken it from the Seleucids — descendants of Alexander; an infamous villain in Persian eyes to this day — who’d ripped it from the hands of the glorious Achaemenid dynasty, who’d freed Mesopotamia from the brutal yoke of the Assyrian Empire, back when Rome was an unknown village.

The Assyrians, of course, had been just the latest in a line of conquerors reaching back through the Babylonians, though many long centuries, to the Akkadian Empire of Sargon the Great — the first documented multi-ethnic empire in world history, which owed its own cultural legacy, in large part, to the Sumerians.

Sargon of Akkad, circa 2250 BCE  (The Strange Continent).

By the time they met Rome, the Sasanians could look back through no less than 3,000 years of literate, urban society. The oldest works of poetry and sculpture in their treasure-houses were as ancient, for them, as the Iliad and the Odyssey, or the Old Testament, are for us today.

In fact, Babylon had long ago been ruled by yet another dynasty from the Persian region. The Elamite people, whose own literate culture was as ancient and venerable as that of the Sumerians, had conquered large swathes of Mesopotamia in the 1800s BCE, holding dominion until they were thrown out by an invading king called Hammurabi.

A bust of Sassanian Shahanshah Shapur II (The Strange Continent).

At its height, the Sassanian Empire spanned all of today’s Iran, Iraq, Bahrain, Kuwait, Oman, Qatif, Qatar, UAE, Syria, Palestine, Lebanon, Israel, Jordan, Armenia, Georgia, Azerbaijan, Dagestan, South Ossetia, Abkhazia, Egypt, large parts of Turkey, Afghanistan, Turkmenistan, Uzbekistan, Tajikistan, Yemen and Pakistan. It was geographically smaller than the peak-size Roman Empire— but it was more urban, and far more densely populated.

The Sassanian Empire at its greatest extent c. 620 CE, under Shahanshah Khosrau II (The Strange Continent).

The Sassanian Empire’s subjects hailed from uncounted hundreds of tribes and peoples. They practiced at least ten different major religions, including Judaism, Hinduism and Buddhism; along with a late, decadent form of the religion of ancient Babylon.

The state religion, however, was Zoroastrianism — as it had been since the Achaemenid dynasty, five centuries before, and would remain until the coming of Islam (while many practicing Zoroastrians still live in the region, and around the world, today).

Though the empire’s people spoke dozens of languages, the tongues of the court were Greek and Aramaic, along with an ancestor of the Farsi language now spoken in Iran.

At the head of the Sassanian state sat the shah-en-shah — the King of Kings, a title borrowed from the Achaemenid Persian emperors like Darius and Xerxes.

Below the shah-en-shah, a meticulously organized pyramid of governors and viziers extended down to the powerful nobility of land-holding feudal aristocrats, who oversaw the middle castes of priests, warriors, commoners, and artisans.

Court of Khosrow II and his queen Shirin – Smbat Bagratuini (Figure 4) was to replicate the spectacular successes of the Sassanian military against a renewed Turco-Hephthalite invasion of the Sassanian empire from the northeast in 618-619 CE (For more information on color plates and sources consult: Plate F, pp.53-54, 62, Elite Sassanian Cavalry-اسواران ساسانی-).

The upper classes enjoyed the first recognizably “Persian” culture: brocaded silks, floral tapestries, ornate goblets, sumptuous carpets, intricate mosaics, and the styles of music, food and poetry that would so captivate their Islamic conquerors a few centuries hence — just as they would later captivate the Seljuks, the Mongols and the Ottomans; and that continue to lend their distinct influences to Turkish and Iranian culture, even today. Any time you savor a bite of baklava or sip a glass of dark tea, thank the Sassanians.

Sassanian influence remains strong in this painting of King Bahram V Gur, from the mid-16th-century Safavid era (The Strange Continent).

You can also thank the Sassanian aristocracy for much of (what would later become) the medieval European aesthetic. Look at this Sasanian rock engraving, for example, and you’re essentially looking at a medieval European king …

Rock-face relief at Naqsh-e Rustam of Sassanian emperor Shapur I (on horseback) capturing Roman emperor Valerian (standing) and Philip the Arab (kneeling), suing for peace, following the victory at Edessa (The Strange Continent).

…except that this engraving depicts the Sassanian shah-en-shah Shapur I, and dates from around 260 CE — a full thousand years before the European medieval period, when the height of Roman fashion was still togas and sandals. It’s like Shapur time-traveled to Rome from the future.

Regal Sassanian figures (middle and right) with the ray-headed Mithras holding a ceremonial sword or barsom at Taghe Bostan (The Strange Continent).

The Sassanian aristocracy, like their later medieval imitators, wore ankle-length robes and pointed slippers, tunics and trousers— more borrowings from the Achaemenids, Assyrians and Babylonians before them.

They rode into battle on famously enormous horses, outfitted in full suits of chain-mail armor, wielding broadswords and longbows, carrying jousting lances. For more see:

Ever wondered how Roman legions would fare against medieval knights? You don’t have to wonder — the Romans fought hundreds of battles against the Sassanians, and the Sassanians often beat the Roman legions to a bloody pulp; especially when fighting on the defensive.

When the Roman army started incorporating their own armored heavy cavalry, they got better at fighting back against the feudal knights of the Sassanian aristocracy — but the Romans never made any permanent incursions into Sassanian territory, or inflicted many serious defeats. The Sassanians never made it very far into Roman territory, either. For hundreds of years, the two armies held each other, in large part, at a stalemate.

Sassanian forces counterattack the invading Turco-Hephthalites in the Sassanian Empire’s northeast; the figures in the above plate (1-late Sassanian Savar-Framandar, 2-Kanarang, 3-Paygospan and 4-Turkic Gok warriors) are based on reconstructions from Sassanian archaeological data such as the grotto of the armored knight inside the vault or Iwan at Taghe Bostan, the (post-Sassanian) metalwork work plate of Pur-e Vahman as well as East Iranian sources (For more information consult: Plate C, pp.53-54, 60-61, Elite Sassanian Cavalry-اسواران ساسانی-).

It wasn’t only in military matters that the  were centuries ahead of their time. Their scholars translated the works of Plato and Aristotle — preserving many books that were later lost to the West — and organized debates between sages and scholars of dozens of philosophies and religions, from all across Asia.

The shah established a “Grand School” at the capital city of Ctesiphon (in modern Iraq), where more than 30,000 pupils studied astronomy, architecture, medicine and literature. In fact, a few centuries later, when the Roman emperor Justinian forcibly closed all the Greek schools, the Sassanians would welcome the fleeing Greek philosophers with open arms.

A detail of the painting “School of Athens” by Raphael 1509 CE (Source: Zoroastrian Astrology Blogspot). Raphael has provided his artistic impression of Zoroaster (with beard-holding a celestial sphere) conversing with Ptolemy (c. 90-168 CE) (with his back to viewer) and holding a sphere of the earth. Note that contrary to Samuel Huntington’s “Clash of Civilizations” paradigm, the “East” represented by Zoroaster, is in dialogue with the “West”, represented by Ptolemy.  Prior to the rise of Eurocentricism in the 19th century (especially after the 1850s), ancient Persia was viewed positively by the Europeans. For more see Ken R. Vincent: Zoroaster-the First Universalist 

Long after the Western Roman Empire fell beneath waves of attack from the Huns and Goths, the Sassanian emperors continued to hold their own against the Eastern Roman Empire, slowly growing weaker under relentless losses against the Byzantines, the Turks, the Khazars, and hordes of other enemies.

By the time the armies of Islam rode out of Arabia, the once-great Sassanian Empire was fragmented and exhausted. An army led by Caliph Umar ibn al-Khattāb captured city after Sassanian city throughout the mid-600s; and by 651, the remains of the knightly and priestly aristocracy fled, in despair, into the vastness of the Central Asian steppe-land.

The remains of the Sassanian royal palace at Ctesiphon, in modern Iraq (The Strange Continent).

It’s often been said, though, that no one truly captures Persia. Instead, Persia captures her conquerors. There’s no doubt that she captured the Arabs. Much of what we think of as “Arabian culture” today — the distinctive styles of art, food, architecture and music; the tales of The 1,001 Nights; the wealth and opulence of Middle-Eastern monarchs— owes far more, in fact, to the Sassanian palace gardens than to the deserts of Arabia.

To read more on this topic, consult The Strange Continent …

Journal Article: Caucasian Albanian warriors in the armies of pre-Islamic Iran

The HISTORIA I ŚWIAT academic journal has published the following article by Kaveh Farrokh, Javier Sánchez-Gracia (HRM Ediciones, Zaragoza, Spain), and Katarzyna Maksymiuk (Siedlce University, Poland):

Farrokh, K., Sánchez-Gracia, J., & Maksymiuk, K. (2019). Caucasian Albanian warriors in the armies of pre-Islamic Iran. HISTORIA I ŚWIAT, 8, pp.21-46.

The article discusses the important role of ancient Albania, an ancient country in the Caucasus (in the modern-day Republic of Azerbaijan, first labelled with this appellation in May 1918) in the history of Iran. Albanian cavalry was serving with the later Achaemenid armies of Darius III (r. 336–330 BCE) at the Battle of Gaugamela (331 BCE).

An Albanian-Scythian cavalry commander from the late Achaemenid era (Source: Pinterest). Cavalry of this type from Albania fought for Darius III against Alexander at the Battle of Gaugamela (331 BCE).

Albania was transformed into a Sassanian province by Šāpūr I (c. 253) with the Albanians (notably their cavalry) becoming increasingly integrated into the battle order of the Sassanian Spah (army).

Book cover of “The Siege of Amida” authored by Kaveh Farrokh, Katarzyna Maksymiuk & Javier Sánchez-Gracia (2018) DC – click here to download in pdf from Academia.edu … The above image is a recreation by Ardashir Radpour of a Sassanian Savaran knight of the Hamharzan who were often supplied with the highest quality weaponry. Elite Albanian knights fighting alongside the Savaran would have resembled their comrade in arms with respect to attire, equipment and battle tactics. The above book was displayed at the 2018 ASMEA (Association for the Study of the Middle East and Africa) Conference’s LSS (Library of Social Sciences) display in Washington DC.

All along the Caspian coast the Sassanians built powerful defense works, designed to bar the way to invaders from the north. The most celebrated of these fortifications are those of Darband in Caucasian Albania.

A view of the Darband Wall (known commonly as Derbent; cited as Krevar in local dialects) in Daghestan, Northern Caucasus (Courtesy of Associates of Eduard Enfiajyan).  The origins of the wall of Darband are generally attributed to Kavad I (r. 488-496, 498-530 CE) who after a two-year war (489-490 CE) ejected Khazar invaders rampaging Armenia and Caucasian Albania (modern Republic of Azerbaijan). Construction of the wall was continued by Khosrow I (r. 530-579 CE) and by the late 6th century CE, this had become a system of walls connecting a series of fortresses. Total length of the Darband wall is nearly 70 km, spanning the territory from the Caucasus Mountains to the Caspian Sea. The Wall of Darband or Derbent became a major military fortress shielding Iranian territories in the Caucasus and the historical Azarbaijan below the Araxes River from nomadic attackers along the northern Caucasus, most notably the Khazars.

Albania remained an integral part of the Sasanian army well into the empire’s final days as evidenced by the military exploits of Albanian regal prince Javanshir (Persian: Young Lion) and his cavalry who fought against the Arabo-Islamic invaders at the Battle of Qadissiya (637 CE) and after. Javanshir was a member of the Iranian Mehranid family related to the Parthian clans.

A copy of the 7th century CE statue of the Caucasian Albanian Prince Javanshir (Persian: Young Lion) discovered in Nakhchevan, southern Caucasus (the original statue is housed in the Hermitage Museum in St. Petersburg – the above copy of the original is in the Republic of Azerbaijan History Museum) (Source: Urek Meniashvili in Public Domain).

The 2,800 Year Embrace in the Hasanlu Tomb

One of the most remarkable finds from ancient Iran pertains to skeletons of a male and a female discovered in a tomb at Tappeh Hasanlu, located in Naqadeh, West Azerbaijan Province, northwest Iran. As noted in the Ancient Origins website:

“The human remains of the “Hasanlu Lovers” were found in a bin with no objects. The only feature found is a stone slab under the head of the skeleton on the left hand side. The discovery was made by a team of archaeologists from the University of Pennsylvania led by Robert Dyson back in 1972.”

The “Lovers of Hasanlu” (Source: Ancient Origins website). As noted in the Ancient Origins website: “The two skeletons are close together facing each other, while the female skeleton on the left reaching out its right hand to touch the face of her lover on the right. They both have their arms around each other and have clear signs of severe injury and trauma on their bodies sustained around the time of their death. Experts believe that they died together by asphyxiation during the destruction of the Teppe Hasanlu citadel”.

The Hasanlu region in Iran’s northwest region was already settled by Iranian speaking peoples at the time and that these are most likely of the Avestan culture of which one of its manifestations was the Zoroastrian religion.The photo of the Hasanlu tomb containing the skeletons of a male and female in embrace were discussed by Kaveh Farrokh in his lecture “Women in Ancient Iran” during a conference on Iranian Women at Portland State University (April 20, 2013).

The main set of Zoroastrian texts composed in Avestan promote ideas of gender parity, which was a reflection of the nature of early Iranian society (Schwartz, 2007, pp. 4). As noted by Hintze this feature provides “a modern appearance on this ancient [Zoroastrian] religion” (2003, pp.  403). The egalitarianism of Women and Men is emphasized in Zoroastrianism , especially with respect to the honored status of women who are recognized as: “…men’s partners in the common struggle against evil” (Boyce, 1972, pp. 308, footnote 83).

 

A reconstruction by Cernenko and Gorelik of the north-Iranian Saka or Scythians in battle (Cernenko & Gorelik, 1989, Plate F). The ancient Avestan Iranians (those in ancient Persia and the ones in ancient Eastern Europe) often had women warriors and chieftains, a practice not unlike those of the contemporary ancient Celts in ancient Central and Western Europe. What is also notable is the costume of the Iranian female warrior – this type of dress continues to appear in parts of Luristan in Western Iran. 

The equality message of Zoroastrianism is declared by use of very specific and inclusive terminology. Four times in Yasna Haptaŋhāiti:

  1. Nar (man) and nāirī– “woman” are deliberately arranged together:
  2. Twice as part of fixed expression nāirī “a man or a woman” (Yasna Haptaŋhāiti: 35.6, 41.2)
  3. Twice as narąmcā nāirinąmcā “of men and women” (Yasna Haptaŋhāiti: 37.3, 39.2).
  4. iθānarō aθā jə̄naiiō (thus … men, so also women) (in Yasna Haptaŋhāiti, 53.6).

A diagram of Hasanlu Tepe, which is situated to the south of Lake Urmia iin Iran’s northwest (Source: Penn Museum).

Women are described as having moral and religious equality with men. For example, one of the Zoroastrian prayers beseech Aryaman to Nərəbiiascā Nāiribiiascā Zaraθuštrahe (come to the aid of the men and women of Zarathustra). As noted in the Holy Gathas (Aiwisruthrem Gah 9):

“We venerate the righteous woman who is good in thoughts, words, and deeds, who is well-educated, is an authority on religious affairs, is progressively serene, and is like the women who belong to the Wise God.”

In the Younger Avestan both sexes are warned:

“Nōit̰  cahmi zazuua yō nōit̰ urune zazuua. Nōit̰ cahmi zazuši yā nōit̰ urune zazuši” (He has not won anything who has not won [anything] for his soul. She has not won anything who has not won [anything] for her soul) (fragment FrD.3; Hoffmann, 1968, pp. 288).

As noted by Nigosian, in the Zoroastrian faith:

no distinction is made between the gendersboth occupy the same place of honor…on the same level in…power (1993, pp.81).

Sandstorm in Southern Iran exposed Lost Ancient City and Relics

The Iran FrontPage News Outlet reported on April 5, 2017 of a remarkable archaeological find as a result of severe sandstorm. As noted in the report:

” A strong sand storm in Kerman province in southern Iran has led to the discovery of a lost ancient city full of historical relics. The sand storm unearthed a large part of an ancient city in Negin-e Kavir County near the city of Fahraj in Kerman province.

Exposed remains of a building structure (Photo: Laleh Khajooei, Mehr News Agency); note top portion of an archway leading towards a chamber or hallway. The archway appears to be based on Sassanian systems.

Approximately 5,000 square meters (53,820 square feet) of this site (including relics) have been identified at Negin Kavir country.

Remains of tile-type flooring of a building structure near Fahraj (Photo: Laleh Khajooei, Mehr News Agency).

The remains may alternatively be that of an ancient necropolis, but further studies are needed to fully ascertain the function of the site (i.e. whether it was a city, necropolis, etc.).

Human remains unearthed near Fahraj (Photo: Laleh Khajooei, Mehr News Agency).

As noted by Mohammad Vafaei (Cultural Heritage, Handicrafts and Tourism Organization) to the Tehran Times (April 9, 2017):

“A team of archaeologists has been dispatched to Fahraj in order to determine whether the site used to be a necropolis or an inhabitance …”

A sample of pottery unearthed as a result of the storms near Fahraj (Photo: Laleh Khajooei, Mehr News Agency).

As noted by the Archaeology News network (April 6, 2017):

“Clay relics, bones, and brick walls have been discovered in the historical site. Further archeological investigations will be carried out to discover more about the city.”

Remains of a piping system exposed near Fahraj (Photo: Laleh Khajooei, Mehr News Agency).

As cautioned by Mohammad Vafaei in the Ancient Origins website:

“One cannot claim that an area is historical as soon as several objects appear from under the ground after storms and floods, since they might have been carried from other regions by water or storm.”

Wall foundations remains of an architectural structure near Fahraj (Photo: Laleh Khajooei, Mehr News Agency).

Initial analyses by archaeologists suggest that this site may be sometime in the early post-Sassanian era (around the early 660s CE) to the early Safavid era (c. early 1500s), however, this site may indeed be very much older. By the same token, the authorities and especially specialists are advising caution until full studies are completed. As noted by the Tehran Times (April 9, 2017):

“Big, sprawling Kerman Province is something of a cultural melting pot, blending various regional cultures over the course of time. It is also home to rich tourist spots and historical sites including bazaars, mosques, caravanserais and ruins of ancient urban areas.”

It would be pertinent for the authorities to allow further investigations into the field to allow for the production of more data leading to scholarly papers and textbooks, not just for the find at Kerman province, but all of southern and central Iran.